Tag Archive | French Revolution

Marie Antoinette: Misunderstood princess & ill-fated queen (reposted via http://conchitasopenbook.tumblr.com)

Historical non-fiction, as related to royal-women of the ages, has always fascinated me. Their lives were lived in an indulgent manner as foreign to me as the countries they ruled and customs they followed. Still I repeatedly find myself picking-through the next Allison Weir…indulging in the fast-paced historical-fiction of Phillipa Gregory…plodding through the dense and well documented non-fiction biographies of Nancy Goldstone…I always come-back.

The inescapable draw being, I believe, the simple humanity that connects these very REAL women. Yes, they were queens…yes they lived lives filled with eccentricities that very few will ever match and yet they were also mothers, daughters, wives, lovers…they experienced great achievements alongside terrible failures…they celebrated and they grieved and they did so…much like ANY OTHER WOMAN…with all of their hearts.

The main difference, unlike other-women, their successes as much as their failures were witnessed and then judged by their entire countries, and for some, the world. So perhaps it is the magnification of human experience that intrigues. Many of these women chose lives in which decisions cost them blood…both loved ones’ as well as their own. And none so ill-fated a story than that of Marie Antoinette.

Antonia Fraser’s novel, Marie Antoinette: The Journey, based on the true events of Marie Antoinette’s life from childhood until her death at the age of 38, depicts the complexities of politics and culture that cast this French Queen as such a rebellious and infamous historical figure. I have Quoted the novel and film based-on-the-novel (Directed by Sophia Coppola) extensively here as well as in my other blog (www.nymphobrainiac.wordpress.com) and even attempted to embody Madame Antoinette for this past Halloween.

Much has been said about this notorious French royal and yet not much is fact. However, we have Antonia Fraser’s widely read (2001) novel to thank for illuminating much of the truths about this historically monumental woman’s life. As one might guess, Marie Antoinette’s life was not all indulgence and golden opportunities…rather as a foreign-born princess she was to forever to remain a political outsider to her people and political pawn to her family.

Volleyed between her duties as French sovereign and Queen of one of the wealthiest political powers of the 18th century and the political designs of her overbearing mother, the ruling Queen of Austria; Fraser describes for us a very young woman who early in her rule (beginning at the age of 14), caught between these two dialectical forces, chose to indulge in the superficialities of life. She was fashionable, she was fun, she threw great galas, she sang, she acted, she traveled, she gambled, ALL to excess.

And yet, she was also a great supporter of charities, particularly those that catered to women and children. Marie Antoinette was singularly responsible for the rise of fashion in Paris and supported all of the arts equally. She truly gave as much as she got. She was a “glittering star” of the era…and unfortunately, the perfect scape-goat for all that the common-people despised about the inequities of the French royal rule.

Enter…1789…The French Revolution.

Without an adept political voice to defend herself, nor the savvy to predict what danger she and her family were in…the fall of the French royalty was swift. Immediately The King’s power was stripped and much of the royal cabinet was imprisoned or be-headed; there were a few botched escape attempts of the royal family and then the final imprisonment of The King, Queen and their young children.

Their story is iconic and well documented in history books, however I believe that Fraser does a particularly good job of depicting a uniquely perceptive version of these events. We feel for The Queen and her naieve understanding of the political views that would eventually seal her fate, her undying commitment to The King…refusing to leave him even when she could have escaped safely alone…and above all her love for her children…a love that guided her every decision in her life…and at the time of her eventual death.

Fraser paints for us a woman…caught in the political circumstances of an extraordinary life…which perhaps seemed to always be just out of her grasp.

She was a lover of the pleasures of life and conceivably as a princess, not properly endowed with the adequate skill to navigate life’s many displeasures.

She did NOT say, “Let them eat cake!”

She DID say…to her sister-in-law, on the day of her beheading:

‘I have just been condemned to death, not a shameful death, that can only be for criminals, but in order to rejoin your brother (The King). Innocent like him, i hope to demonstrate the same firmness as he did at the end. I am calm, as people whose conscience is clear. My deepest regret is having to abandon our poor children; you know that I lived only for them and for you, my good and tender sister’ (Marie Antoinette, p.495)

Marie Antoinette is an honest portrayal of an alternately despised and celebrated character in our world-history. Let me re-phrase that, Marie Antoinette is a literary portrayal of a woman honest, to her heart. Thank you, Antonia Fraser…for your ability to weave historical fact with palpable feeling with the lightest of touch.

Great read guys…pick it up and DIG IN! xxx c.

(originally posted in: http://conchitasopenbook.tumblr.com/)

Marie Antoinette: From maligned queen to gay icon?

I just completed reading Antonia Fraser‘s Marie Antoinette, a 600+ page tome recounting the adventurous and ill-fated life and eventual downfall of this 18th Century Queen of France, and while I will certainly be detailing a review in my Tumblr Blog (Conchita Open Book), something particularly interesting and relevant to nymphobrainiacs everywhere, struck me:

MARIE ANTOINETTE IS A GAY ICON

It did not happen overnight, and the seeds of this modern-celebration were sown in her much criticized (at the time) intimate relationships with select women in her life (the sexual nature of which never confirmed)…she was however eventually condemned for these relationships, a price paid in her own blood when she was beheaded in October of 1792, at the height of the French Revolution (a revolt against the royalist system).

As Fraser writes:

The idea of Marie Antoinette as a tribade-the eighteenth century word for a female homosexual, based on the Greek word for friction-was sedulously preached at the time in lewd pamphlets as a means of abuse. But it has meant that her name…has been entered more pleasantly in homosexual annals as worthy of honour. (p. 510)

I suppose what is most disturbing to me is not that Marie Antoinette became a gay icon (if you will allow) but that she was later lauded for the very thing she died for…part of me celebrates:

Marie Antoinette The Martyr!

Yet, another part of me weeps…saddened that the LTGB community must turn to sensationalized and unconfirmed scandalous accounts of alternate romantic relationships rather than real, loving, celebrated relationships.

Marie Antoinette has become a caricature of  The Sexualized and Objectified Woman…simultaneously admired and maligned throughout the ages…and perhaps that is very reason why We are ALL so attracted to her…

xxx, c.

Marie Antoinette: Failed queen, wise woman

There is nothing new except what has been forgotten.-Marie Antoinette (1755-1793)

Too often it is the words of those who were misunderstood, that reflect truth and wisdom…perhaps we need to listen with more empathy and less judgment.

xxx c

‘Let Them Eat CAKE!’: Misguided princess or haughty harlot? Marie Antoinette was The O.G. Rockstar

Today I purchased a copy of the 2006  ”period-film” a la S. Coppolla, Marie Antoinette.

It is a guilty pleasure of mine.

The box reads:

Kirtsen Dunst portrays the ill-fated child princess who married France‘s young and indifferent Louis XVI. Feeling isolated in a royal court with scandal and intrigue, Marie Antoinette defied both royalty and commoner by living like a rock star, which served to seal her fate.

The film is a flashy hybrid, combining the romance of baroque France with decidedly contemporary flashes…however, this stylistic piece while scrutinized by film critiques is in fact an accurate depiction of the spirit of the Austrian princess’s life…if not historically valid…which I quite enjoy…Miss Coppolla challenges youths’ acceptance and integration of history in this manner…quite brilliant if you ask me!

I shall enjoy my great decadence tonight…and wish for the same small indulgences for you too!

xxx c.